When working in the landscape I arrange what I see into a composition of my choosing. However, with studio work I rely on experiences, seen and imagined, to create a similarity.
The ever present landscape and human forms invade my mind enabling an output of 8-10 works. Working simultaneously I gradually reduce them to 3 or 4 and eventually to 1 or 2 finished works.
Maintaining a semi-abstraction profile allows (the viewers) to identify with the paintings, while drawing on their own experiences and exercising their imagination.